Instrumental value in the illustration of Urip iku Urup: Charles Sanders Pierce's semiotic study

Authors

  • Mohammad Aditia Gilang Romadhon Institut Seni Indonesia Surakarta
  • Gilbert Gohnarso Institut Seni Indonesia Surakarta
  • Joanne Karenina Adoe Institut Seni Indonesia Surakarta
  • Basnendar Herry Prilosadoso Institut Seni Indonesia Surakarta
  • Hening Laksani Institut Seni Indonesia Surakarta

DOI:

https://doi.org/10.33153/iicacs.v9i1.260

Keywords:

Illustrations, Morals, Visuals, Symbols, Represents

Abstract

The illustration "Urip iku Urup," which translates to "life is burning" in Javanese, is a rich tapestry of aesthetic elements that convey the profound meaning of this phrase. This study delves into the cultural significance of mutual cooperation in society, using the Charles Sanders Pierce Semiotics approach to analyze the illustration. Employing a descriptive qualitative research method, this analysis examines the signs and meanings embedded in the artwork to understand how visual elements represent mutual cooperation as a form of goodness and sharing in everyday life. The results demonstrate that "Urip iku Urup" effectively utilizes cultural and social symbols to convey a moral message about the importance of positive individual contributions to the community. This analysis provides a deeper understanding of how visuals can be used to communicate ethical values and strengthen social bonds through artistic representation.

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Published

2024-11-15

How to Cite

Gilang Romadhon, Mohammad Aditia, Gilbert Gohnarso, Joanne Karenina Adoe, Basnendar Herry Prilosadoso, and Hening Laksani. 2024. “Instrumental Value in the Illustration of Urip Iku Urup: Charles Sanders Pierce’s Semiotic Study ”. IICACS : International and Interdisciplinary Conference on Arts Creation and Studies 9 (1). https://doi.org/10.33153/iicacs.v9i1.260.

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