The aesthetic of visual composition in the french horror film "martyrs" produced in 2008
DOI:
https://doi.org/10.33153/iicacs.v9i1.270Keywords:
Visual Aesthetic, Composition, Horror FilmAbstract
Film is one of the entertainment media watched by many people around the world. France, with a history of filmmaking that has existed for hundreds of years, presents visual and narrative films that are very popular in various countries around the world, one of which is a horror genre film titled "Martyrs" produced in 2008. It is interesting to delve further into the application of several important scenes in the visual aesthetics of the film titled "Martyrs" as presented in writing and research regarding composition. The research employs a qualitative descriptive method; the research data was gathered through a focus group discussion involving film lecturers and visual communication design lecturers, who discussed the implementation of each selected scene in the film, which involves repeatedly watching the French film titled "Martyrs," as well as reviewing literature from journals and film theories. The visual analysis focuses on the composition balance, both symmetrical and asymmetrical, in each important frame of the film. The research concludes that the purpose of applying symmetrical and asymmetrical visual composition balance in the film "Martyrs" is demonstrated in an important scene of the film, which was produced in 2008 and remains visually relevant for audiences in 2024.
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