EXPERIMENTAL ADAPTATION OF TADASHI SUZUKI ACTING METHOD AND MALAY TRADITIONAL ENSEMBLE IN HISTOIRE DU SOLDAT

Abstract

The purpose of this research is to find the results of experimental adaptation of Tadashi Suzuki acting method and music of Malay traditional ensemble into Histoire Du Soldat original score and performance. This study uses performance-led research to create new approach and innovative concept of integration of the Tadashi Suzuki Acting method, Malay traditional ensemble and classical music ensemble into Histoire Du Soldat original score and move beyond conventional performance. Actors and musicians together will bring the elements of spontaneity and improvisation through the acting and music of Malay traditional ensemble into classical ensemble performance. This trans-disciplinary exchange allows for a different, more sensual approach in supervening upon state-of-the-art works and in the creation of modernistic perceptions through performance led research: it expedites into new possibilities and perspectives in adapting to modern circumstances and finding new ways in performing Arts.